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Audio works · Akshay Gite

sic

Akshay Gite creates ambient and experimental music as sic, working across composition, sonic research, field recording, live performance, radio and collective listening formats.

Akshay Gite performing as sic in Berlin
Performing as sic · Berlin, 2024
Selected listening · Live in BerlinPress play to begin

01 / 05 · 2024—present

Noise Lullabies

Composition · performance · field recording

An electroacoustic album and performance project built around lullabies carried across languages, families and places.

Voice, sarod, bass, tape, field recordings and electronic processing hold oral memory, migration and care inside a contemporary ambient form.

Form
Album and live performance
Status
In progress
Listen
Four public demos
Noise Lullabies · demosUser-initiated audio

02 / 05 · 2026

Sonic research · composition

Quantum Strings

Sarod · microtonal resonance · spatial sound

The sarod contains a hidden resonant system. A single gesture can activate sympathetic strings and frequencies that were never directly played.

Through microtonal tuning, sustained drones, electronic processing and spatial placement, I use this behaviour to explore auditory beating, phantom tones and how attention shifts during prolonged listening. The work connects Indian acoustic knowledge with contemporary psychoacoustics and experimental composition.

Material
Sarod, sympathetic strings and electronics
Method
Microtonality, difference tones and spatial processing
Form
Headphone studies and multichannel performance
Akshay Gite holding a sarod among trees
Akshay Gite performing with sarod and electronic equipment
Quantum Strings · studyPlayer ready when you are
Open on SoundCloud ↗

03 / 05 · 2026

Radio essay · sonic research

Sub-Continental Migritude

Research · writing · narration · musical curation

My previous radio work includes Sub-Continental Migritude for Refuge Worldwide, a research-led broadcast using spoken context and genre-crossing musical curation to trace connections between South Asian bass cultures, migration, caste, colonial histories and diasporic identity. This experience informs how I will translate Noise Lullabies into an accessible radio work without simplifying its political or cultural context.

The programme takes ‘sub’ as its organising device: subcontinent, sub-bass and subculture. It moves between spiritual jazz, rap, dub, regional bass mutations and experimental electronics. The changes in genre are deliberate. The connecting thread is how musical forms travel across borders, languages and social histories.

The title is in dialogue with Shailja Patel’s Migritude, a hybrid work bringing together poetry, family history, political history and reportage around migration and Empire.

Platform
Refuge Worldwide
Broadcast
22 May 2026
Themes
Music, migration and political history
Refuge Worldwide broadcastsUser-initiated audio

An evolving series of broadcasts using music research, scripting and spoken context to follow sound across migration, geography and political history.

04 / 05 · 2025—present

Ambient Narratives

Host · curator · producer

A monthly radio programme following the cultural and emotional stories behind sound and the people who make it.

Two-hour broadcasts combine contextual narration with ambient, experimental and traditional music, creating a space for deep listening without separating records from their histories.

Station
THF Radio, Berlin
Format
Monthly, two hours
Role
Host, curator and producer
Ambient Narratives #20User-initiated audio

05 / 05 · 2025—present

Dwelling Sessions

Co-founder · curator · live artist

Independent seated listening evenings in Berlin centred on ambient, electroacoustic and experimental music.

Dwelling makes room for quiet attention: artists share slow, detailed work in a setting built around care, presence and collective listening.

Setting
Berlin
Format
Live listening series
Role
Co-founder and curator
Dwelling Sessions · liveWatch on Instagram

Related practice · film

Film sound · production audio

Location Sound & Film Audio

Boom operation · lavalier microphones · field recording · post-production

Alongside my artist practice, I have worked on short-film sets recording production sound with boom and lavalier microphones under changing outdoor conditions.

My post-production work has included field recording, foley, dialogue editing, sound cleanup and preparing final audio mixes for short films.

On set
Boom operation · lavalier setup and monitoring · environmental recording
Post-production
Foley · dialogue editing · sound cleanup · final mix
Akshay Gite operating a boom microphone and field recorder on an outdoor film set
Akshay Gite monitoring environmental sound with headphones in a pine forest
A small film crew reviewing a camera setup outdoors

Contact

Make something worth listening to.

For performances, radio, commissions and collaborations, write to me.